I only share results with permission, using real data. No fabricated screenshots. No inflated numbers. No cherry picked metrics with missing context. When clients allow it, here is what the work actually looks like in practice.
Every case study below is a real author I have worked with. The books are real. The links go to Amazon. The quotes are theirs, used with permission.
I do not publish before and after screenshots without written client approval. I do not inflate metrics for marketing purposes. If a number looks modest, it is because it is real. If a case study is short, it is because I am not padding it with fluff to look impressive.
This is what actual discoverability work looks like in the real world, with real authors, on real books.
Two authors have generously allowed me to share their stories in detail. Both are still working authors you can find and support on Amazon right now.
Book 1 in the Game On Boys Series
View Book On AmazonKate had built a genuinely fun children chapter book series aimed at reluctant readers, particularly boys aged 7 to 10. The book had heart. The book had voice. The book had exactly the humour and gaming references her target readers would love.
But the book was struggling to reach that exact audience on Amazon. Categories were set at launch and never revisited. Keywords were generic and did not reflect how parents actually search for chapter books. The listing was not optimised for how the target audience, both the parents buying and the kids reading, actually browsed Amazon.
Children fiction has its own discoverability quirks that most marketers do not understand. Parents are the buyers, but kids are the readers. That means the metadata has to speak to both audiences at once without confusing either of them.
We focused on keywords parents actually use when searching, things like books for boys 8 to 10, chapter books reluctant readers, and gaming books for kids, alongside themes kids genuinely care about like video games, adventure, humour, and friendship. The result was a listing that worked for both audiences without compromising either.
Working with Francesca completely changed how I think about my book presence on Amazon. I used to focus on covers and social media. She showed me the invisible side of publishing that actually drives sales. Categories, keywords, backend metadata. Things I had no idea existed. My discoverability transformed.
Kate Cullen, Children Fiction Author
Jack Forge, Fleet Marine, Book 1
View Book On AmazonJames is a prolific science fiction author with a series that was performing but not reaching its full potential. As an experienced indie author, he understood the basics of Amazon publishing. He knew about keywords. He knew about categories. He was already running Amazon Ads.
But the technical Amazon layer was not fully optimised for his specific sub genre. Categories were not aligned with the specific sci fi sub genres his readers actually browsed. Keywords were not reflecting military sci fi search behaviour precisely enough. Amazon Ads were running but were not converting at the level they should have been for a book of this quality.
Sci fi has some of the most specific sub genre expectations in indie publishing. Military sci fi readers are looking for specific tropes, pacing, and themes. Space opera readers want different things entirely. Hard sci fi readers something else again. Cyberpunk, LitRPG, dystopian, first contact, they all have their own reader communities with their own conventions.
We identified exactly where James series belonged within this landscape, and made sure Amazon algorithm knew it too. The categories, keywords, and metadata all worked together to signal military sci fi to both readers browsing and to the algorithm serving recommendations.
Francesca is the real deal. As a sci fi author, I thought I understood Amazon. I did not. She restructured my categories, rebuilt my keywords, and set up ads that actually converted. She promises strategy, not miracles, and that honesty is exactly why her strategy works. My series has never had better visibility.
James David Victor, Science Fiction AuthorI add new case studies only with explicit written client permission. Every author here has approved every word about their book and their experience.
If you are a past or current client who would like your results featured here, please get in touch. Otherwise, this space will fill in over time as more authors give permission.
You will see a lot of book marketers online publishing dramatic before and after screenshots with vague context. This author went from 5 sales to 500 in a month. With no genre. No book details. No verification. No indication of whether this was normal or an outlier.
I do not do that. Here is why.
A great strategy cannot rescue a book with fundamental issues. And a modest strategy can produce huge results for the right book. Context matters more than raw numbers.
A success in cozy mystery looks very different from a success in literary fiction, which looks different from success in romance. Sharing numbers without genre context is misleading at best.
I do not publish results without written permission from every client. Most clients prefer privacy, and I respect that completely. Their business is not my marketing material.
Fake before and after screenshots might get more clicks. Real ones build long term trust. I would rather have you trust me than impress you with numbers you cannot verify.
The case studies you see here are the ones authors have explicitly allowed me to share. If you want to talk to a past client directly, I can arrange it with their permission.
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